2/22/2023 0 Comments Carmen opera louisvilleThese provide factual information on the format of the opera company. The Articles of Incorporation and By-Laws are included. There is no correspondence with Moritz Bomhard during his leave of absence, and there is no mention of Karlos Moser, who replaced Bomhard during that period. Minutes from meetings of the boards of directors are missing. There is little material relating to the financial affairs of the KOA. The records reflect the dedication and achievements of Moritz Bomhard, KOA's first and to date only artistic director. There is extensive and detailed correspondence regarding orchestra schedules, casts, and contracts with singers and the American Guild of Musical Artists. For example, the problems associated with settings and costume rentals, public relations in the day of society editors, and fund-raising are documented. The Bomhard correspondence indicates the difficulties involved in operating an opera company. The record group includes contracts, abstracts, photographs, material relating to public relations and the history of the company, and the personal and business correspondence of Moritz Bomhard. The collection contains evidence of the many aspects of opera production. These records are important because they establish the initial struggle in building support for a fledgling opera company, which is now flourishing and prosperous. The records are particularly relevant to the Louisville cultural community, for they trace the history of a one-man operation that developed into one of national recognition. The overwhelming amount of material dates from 1964-1969. The KOA records document the company from its founding in 1952 until the late 1960's.
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